What's right? What's wrong?
It's just your state of mind.
What's right? What's wrong?
It's just your state of mind.
The meaning of Iife is different for everyone.
It's going to be right.
It's going to be wrong.
It maybe right.
It maybe wrong.
It maybe right. It maybe wrong.
What's right? What's wrong?
It's just your state of mind.
What's right? What's wrong? It's just your state of mind.
The meaning of Iife is different for everyone.
It's going to be right. It's going to be wrong.
It maybe right. It maybe wrong.
The waves of the ocean. .
Can't quench my thirst of ages.
It's a difficuIt decision. .
. . to make between true and faIse.
Everyone's mourning the ceIebration.
Happiness is being snuffed out.
Take a Iook.
It's going to be right.
It's going to be wrong.
It maybe right.
It maybe wrong.
It's going to be right. It's going to be wrong.
It maybe right. It maybe wrong.
The watchman toId me you require a maid.
TeII me if you want to, or I'm Ieaving.
Hey, go. -Sorry, I'm going.
Just a minute. -What happened, sir?
Yes, sir.
Who are you? -Is my wife here?
Wife? -My wife?
Rukmani!
-Just a minute, he's my husband.
Rukmani! Rukmani! -Wait!
Come out, come out. -Why have you come here?
What did you think? I won't find you? -Be quiet.
I know everything. -What do you know?
You're having an affair with someone. .
. . in this buiIding. -Oh, God.
Is it him? -Go get yourseIf treated first.
Why is the bag stiII here? -Why didn't you sent it?
How much did you earn? -Who gave you this sari? -You're a miser.
Let me take a Iook as to who is inside. -Sorry, sir.
Get back. -Who is it?
Who is it?
I know it's. .
Why are you creating a scene in front of my boss?
FoIIow me.
Don't move.
Give the chiId to me. -Leave him.
PIease Ieave him.
Drop the gun.
Drop the gun! Drop the gun!
Drop the gun!
Drop it now.
Move.
You okay? -Yes, I'm fine.
What's wrong? Why are we missing targets?
We're burdened with too much work.
We'II have to search for him again.
They've troubIed me a Iot.
Get in. -Let me go, sir.
Sir, I haven't done anything. -Get in!
Get in, get in. -I haven't done anything.
It was a mistake, sir. -Get down. Get down.
You made a mistake and you haven't done anything.
Just a minute, Ieave him. -Come here, come here. -No, sir.
Come here.
What is your name? -Sir, MiIind.
How Iong have you known Boris? -What, sir?
Do you know Boris or not? -No, sir.
Speak the truth. Come on, come on. -Say it, say it.
Sir, I'd do their odd jobs.
Odd jobs. You'd deIiver their goods.
Here's the money. He's Iying to us.
No, sir. I needed money.
My mother has cataract in her eyes.
The doctor said, If I don't it operated upon. .
. . my mother might Iose her sight.
Let me go, sir.
Hey, don't abuse him.
Get him inside. -Sir.
Just a minute.
Come here.
Do you study? -Yes, sir. I study.
Which grade are you in? -I'm in tenth grade, sir.
Let him go. -Run away. -Return the money to him.
Here.
Sir.
Why did you Iet him go?
This is his first mistake. .
. . and it happened because of his heIpIessness.
And everyone shouId get one chance.
If we'd imprisoned him. .
. . he wouId've come out as a hardened criminaI.
He won't reform now either.
If he doesn't, then you're there to reform him.
Sir, the journaIists are here? -He'II meet them.
You go. That's your job.
I shouId go. -You go.
It's your job. -Come on.
Sir. Sir.
You didn't do the right thing by Ietting that boy go.
He has committed a crime. -We shouId register case against him.
It's a triviaI issue. -It might be for you, but not for me.
You aIways do that.
That boy said a few emotionaI Iines. .
. . and you pardoned him.
Go commit a bigger crime, then we'II apprehend you.
AIong with Iaw, we shouId understand humans too.
He's a smaII boy.
He committed this crime due to his heIpIessness.
HeIpIessness. -Can you guarantee that he won't commit. .
Can you guarantee that he won't become a criminaI. .
. . after he's reIeased from jaiI?
I thought he's a boy, we shouId give him one chance.
And that's what I did. -Have you taken up the job of passing. .
. . verdicts in the poIice station? -Let peopIe do their job.
Our duty is to apprehend the criminaIs. .
. . and bring them to the court.
The judge wiII decide whether it was his heIpIessness or not.
Whether he's a criminaI or not.
Sir is in a bad mood.
He's angry.
We've reached home quite Iate.
Our wives must be asIeep, so, we'II just sIip in.
Sir, your wife must be asIeep.
My wife must be waiting for me.
Why? Your wife doesn't sIeep?
TeII me what I shouId do?
What shouId I do?
What I shouId do? -When you're so afraid of your wives. .
. . why do you get married?
You'II know that once you're in that situation.
Your turn wiII come soon, Vinay.
Isn't it, ShaIini? -Yes, sir. I'm waiting for that day.
And he's not heeding to my request.
I've given my appIication.
But. . he doesn't take up the matter.
Take a Iook, sir. -No, no.
Do you want my recommendation?
Give me the fiIe. -No, sir.
Bye.
Sir.
What's this, Papa?
Is this the time to come home?
AII my friends waited the entire evening. .
. . to go to the cIub. -And you didn't come.
That's not fair. -Son, I. .
I know. I know you're a poIice officer. .
. . and you were apprehending criminaIs.
But you're my father too. -Do you've any responsibiIity. .
. . towards your son or not?
Are you my father or am I yours? -Papa.
Don't change the topic.
Can we compromise?
Can we do something that. . -No.
PIease. -No.
I'm sorry. -No.
What eIse shouId I do?
If. . you take my friends, my mummy and me. .
. . to the boating cIub next Sunday. .
Then mummy, me and my friends' committee. .
. . can think about forgiving you. -ReaIIy?
Yes. -Okay.
Is mummy angry as weII? -Find it out yourseIf.
Aren't you Iate? You've to go to schooI in the morning.
Get back to sIeep.
Naughty.
Yash, Iet's go.
Papa, one more 'Go'.
I'II aIso get ready for schooI, come on. -Okay.
Bye, Papa. -Bye, son.
Bye. -Bye.
Thanks for the IoveIy card.
Happy anniversary.
Forgotten this time. -I forgot this time.
You forget every time.
But this time, you forgot. -What's your programme for the evening?
Anything, whatever you say.
Just a second.
Yes, D'souza.
Ajay, we're out. What shouId we do with the party.
Fine, I'II just get ready and be there.
You didn't teII me about your evening programme.
Oh, yes. . I just received a caII.
I need to go to Mumbai for two days.
As soon as Boris' case ends, I'II take a week off.
And then we'II go to some exotic Iocation.
Like Goa, okay? -Okay.
Goa? -Yes, Goa.
HeIIo, Brother. Happy marriage anniversary.
Thank you.
Listen, I've arranged a surprise party for Amisha.
Party.
Do me a favour. Keep her busy the entire day. .
. . so that I can prepare for the party.
Okay. -Okay, Brother.
Consider it done.
Fine, take care. -Bye.
What's aII this surprise, party. . -Oh, yes.
AII of you're invited but not aIone, aIong with your wives.
But he doesn't have a wife.
I don't have a wife.
Keep in mind that your wife doesn't find out about it.
Otherwise, she might give you a surprise.
She isn't Iike you.
But don't come aIone.
Bring someone aIong.
I'II bring my husband aIong.
You didn't teII me that.
What a time we'd in New York!
I can never forget that trip.
How can I forget?
When finaIIy, this beast got the beauty.
Got? No.
You didn't get me, you snatched me.
From your step-brother.
Baby, everything is fair in Iove and war.
But reaIIy, Sanju, you'd such a nice pIace in New York.
Baby, that's nothing.
Wait tiII you see the Manhattan apartment. .
. . I've booked for you. -Once I arrange for funds in India. .
It's heaven on earth.
OverIooking the sea.
You and me.
Hi, darIing.
Where are you? -At my yoga cIasses.
Any probIem?- Just missing you.
Love you. -Bye, sweetheart.
Love you, bye.
Great yoga cIass, I teII you.
Yes, Brother. -Listen.
Our venue has changed.
Come to Teetos at eight at night.
Bye, Brother, see you.
VeiI. VeiI!
With an embroidered veiI around the neck. .
We roam around in our intoxication.
With an embroidered veiI around the neck. .
We roam around in our intoxication.
Beware, my friend.
Don't bIame me for anything that happens.
Beware, my friend.
Don't bIame me for anything that happens.
These beauties are very crueI.
With an embroidered veiI around the neck. .
These husbands are so crazy.
I'II give you a happy famiIy. -I'II make your worId better.
I'II Iove you more than you want.
I surrender myseIf to you.
I can Iay down my Iife for you.
My beIoved.
Beware, my friend.
Don't bIame me for anything that happens.
Beware, my friend.
Don't bIame me for anything that happens.
These beauties are very crueI.
With an embroidered veiI around the neck. .
We roam around in our intoxication.
With an embroidered veiI around the neck. .
We roam around in our intoxication.
These husbands are so crazy.
The veiI. The veiI. The veiI.
Sir, an important news. Boris has been Iocated.
Is this the pIace? -Yes, sir.
You Iied again.
Out, everybody! Come on, move.
Sir!
Sir. Sir.
Sir. -Sir.
CarefuIIy.
Keep the cIoth. -ShaIini.
Hurry up! -Just five minutes.
Keep the ambuIace ready it's an emergency. -Move.
He's bIeeding profuseIy, sir. -Sir, the bIood isn't stopping.
Sir, we're aImost there.
Keep your hand. Stop, two minutes.
'But you're my father aIso. '
'I Iove you. '
'Do you've any responsibiIities. . '
'. . towards your son or not?'
Ajay. Ajay.
Come on, hurry up!
Just two minutes.
Come on. Hurry.
What is it?
Sir.
He'II be fine.
Look, can aII of you step out for a moment?
I want to be aIone with him.
PIease. PIease.
I won't hide anything from you.
The buIIet has hit your spinaI cord.
And due to that, your Iower body has been paraIysed.
You cannot waIk.
What are my chances, Doctor? -Very sIim.
Your chances are one in a miIIion.
Then I'm that one in a miIIion.
I'm that one in a miIIion.
I'II do it. -So be it.
So be it.
You are the dawn of my hopes.
You are the source of my heartbeat.
You are the dawn of my hopes.
You are the source of my heartbeat.
You are everything for me.
I want to Iive for you.
. . for you.
You are the dawn of my hopes.
You are everything for me.
Get married. -Are you jeaIous of my freedom?
JeaIous? I'm your friend.
I Iove you.
Let me expIain to you. -Yes, expIain to me.
Look Iook Iook there.
Imagine that's your beautifuI home. -Where?
Look there Imagine it. -Okay.
The door opens.
Did it open? -Yes.
ShaIini is standing before you.
And you enter in a very angry state.
She smiIes at you and you're happy again.
She comes running and gives you a hug.
And your Chunnu and Munnu are running behind her. Look.
Chunnu and Munnu? There are two. -Yes.
What are their names? -Name? What wiII we caII them?
Name. . -We'II think about it Iater.
But Iook they're hugging you and you're happy.
Get married.
What do you say?
Get married.
I'II get married on one condition.
Stand up on your feet.
I miss you.
The office has become so boring.
I'II stand up right now. That's no issue at aII.
Watch.
You're just drunk. .
Drunk. .
You get married and I'II stand up.
I'II dance.
The day you stand up, I'II get married.
It's a deaI.
Promise. -Promise. Sure.
Let's give each other a hug.
Come on.
I miss you.
I miss you!
What is this? Where are you?
We were supposed to meet today.
You didn't turn up, though you promised me.
Sanju, its heII out here.
PIease understand.
You know what the situation is.
I can't meet you aIone now.
PIease understand.
I've an idea.
If I wasn't in this condition. .
. . you wouIdn't have come to Iive with us.
Come on, Brother. What're you saying?
I'II stay with you tiII you get weII compIeteIy.
Papa. Papa.
Papa.
Let me heIp you. -Son.
One minute.
Get me some water. -Okay, Papa.
Everything wiII be fine.
Why don't you divorce me?
You don't have any future with me.
Ajay, how can you think Iike that?
Why are you just watching?
Go and pIay.
Papa, I'II, when you'II.
I can't pIay!
Go pIay with them!
Your innocent eyes carry a thousand questions for Iife.
I don't care about myseIf.
I think onIy about you.
I swear on the tears you shed.
I won't ever. . ever Iet any sorrow touch you.
You're Iate again today.
Why are you getting so angry?
Tomorrow is the opening of my new site.
I'd to make some finishing touches.
If I don't then who eIse wiII?
What's the matter?
Why are you getting upset?
I can't see Yash suffering this way.
I've decided that he won't stay here.
Take him to his grandma.
But why? -I get angry on every IittIe thing.
And these days, I'm venting my anger on my son.
I don't want him to see me Iike this.
He has expectations from his papa.
How do I teII him that I can't waIk?
I won't get weII.
'But you're my father too. ' -'Do you've some responsibiIities. . '
'. . towards your son or not?'
When the department has given you medicaI Ieave. .
. . why do you've to resign?
Why did you resign? -The entire department is with you.
What eIse do you want?
And why did you stop your physiotherapy?
What do you want to prove by doing that?
How wiII that heIp?
You're saying such great things in the hospitaI.
That I'm one in a miIIion, I'II do it. I'II do it.
What happened to aII that?
I don't beIieve that you're the same Ajay.
He's the same Ajay?
You've to join force, Ajay.
You've to join duty again. -You've to stand up on your feet again.
That's my order.
If you don't want to foIIow it, Iet me know.
I'II never see your face again.
I just said it that
I'm not one in a miIIion.
I can't do it.
'Mr. Ajay Shridhar has exposed a fraud of 50 crore. . '
'. . and saved GIobaI Life Insurance company. . '
'. . from a huge Ioss. '
'And so, our company gifts him a term poIicy of 5 crore. '
What's up, Brother?
What's this? -Insurance poIicy.
It's for 5 crore.
I want to die.
What? -What?
And I need your heIp for that.
Ajay, what're you bIabbering?
Listen to me first.
I can't Iive this way.
I'II kiII myseIf any time.
And if I do that, what wiII happen to you?
What wiII happen to Yash?
That's why I need your heIp.
So that my death Iooks Iike an accident.
Brother. . -Ajay.
Doesn't make sense to me.
What madness is this? We don't want anything.
Nothing at aII.
We just want you.
PIease stop thinking. . -Anshu.
What do you feeI? I'm stiII aIive.
Just once. . try to Iive my Iife just once.
I'm suffering.
I'm dying every moment.
I don't want to hear anything, Ajay.
Enough. I don't want to taIk about this.
Why don't you understand?
I'm not insane.
What do you want, Ajay?
That I shouId kiII you, though I'm your wife.
Sorry, brother.
Look. .
We won't get such a chance again.
And anyway, we aren't going to kiII him.
He wants to die himseIf.
Enough, Ajay, I can't endure it any Ionger.
I'm your wife, how can I. .
Okay, teII me. . if you were in my pIace. .
. . in a simiIar situation, and I wouId've been in your pIace.
And if I wouId've asked you to kiII me. .
Then wouId you've kiIIed me?
If I couId feeI your pain. .
. . then I wouId've certainIy heIped you.
Okay.
As you wish.
I've got a fooI-proof pIan.
Buy the tickets to tuesday's show.
It'II be Iess crowded.
It took us 30 minutes.
Timing is very essentiaI in this pIan.
Remember this pIace.
I'II teII you Iater what you've to do here.
On 20th JuIy, you need to go to Vasco TraveIs. .
. . and hire a car.
I want to hire a car pIease. -Okay.
You'II traveI from Panjim to KoaIam in this hired car.
Anshu, you'II have to go to the fIea market. .
. . and buy over-sized cIothes and shoes for you and Sanju.
That's a bigger size.
I want a bigger size.
I'II take this. -Ok, mom.
Before meeting D'souza, you'II have to change your getup.
D'souza is a very cunning man.
Remember, don't make any mistakes.
WebIey and Scott. -TeII me, how much for it?
5 Iakh. -But brother Ajay said it'II cost onIy 4 Iakh.
Ajay? -No. Moses said it'II cost onIy four Iakh.
And you're asking for 5 Iakh.
Brother, he's asking for one Iakh extra.
Fine, pay him.
We'II execute this pIan tomorrow.
Nothing shouId go wrong.
Set your watches to 8pm.
If you find anything going wrong with this pIan. .
. . then canceI it.
You two wiII go to the theatre in different cars.
Park the hired car behind the theatre.
And enter the theatre's parking in your own car.
Come on. Come on Iet's go.
You may be right. You may be wrong.
You are going to be wrong.
You may be right. You may be wrong.
In the theatre, you'II have to do something. .
. . so that pIenty of peopIe can be an aIibi for you two. .
Madam, your change.
Stupid. -Sorry, madam'am. -Can't you see? -Ma'am, I. .
Madam, you dropped it.
Do you know who she's?
She's ACP Ajay Shridhar's wife.
You'II rot behind bars aII your Iife with just one phone caII.
Get that. -Sorry, sir. Sorry. -What happened?
Is everything okay? -Yes, sir.
Is Ajay aIone at home?
Don't Ieave him aIone so Iate in the night.
You know the kind of mentaI trauma he's facing these days.
I didn't want to come.
But Vinay, you know him.
I don't get out of the house much.
But he was adamant today.
You two need to go.
Lead your own Iives and aII that.
You know what?
She did come here to watch the movie.
But she's concerned about brother Ajay.
I need to go to the washroom.
HeIIo, Ajay. I think we need to abort the pIan. -Why?
Vinay has seen us together. -Vinay?
He's asking me weird questions.
It's a good thing that Vinay is present there.
We won't get a better aIibi.
That's good.
You just be very carefuI. -When you Ieave the theatre. .
. . make sure that nobody watches you.
AII the best. -Okay, bye.
Oh, no. -Yes, I think. .
What happened? -Vinay.
Wait.
Anshu, take that bag from the back seat and. .
I'm very nervous.
I don't think we shouId go ahead with this pIan.
What if something goes wrong?
Have you gone mad?
You want to go back after coming so far.
Look, nothing wiII go wrong.
Ajay has devised a fooI-proof pIan.
No one saw us coming here.
According to the peopIe, we're stiII in the theatre.
No one saw us coming here.
We'II enter the house as thieves.
Two thieves enter that house.
Ajay has a brawI with them.
We go back home from the theatre and find Ajay dead.
We caII the poIice. It's as simpIe as that.
Lot of peopIe have seen us in the theatre.
They'II be our witness.
Why. . why wiII anyone doubt us?
Does that make sense to you?
Is that cIear? -Yes.
Okay. Let's do it then.
Did anyone see you coming here? -No.
Sure?
Yes, we're sure.
Ok.
Don't be nervous.
I Iove you.
You're supposed to be in the cinema, not here.
Sorry.
HeIIo. -Papa.
Son. -Papa, I want to come see you.
I miss you. -What happened, son?
Papa, I'd a nightmare.
I'd a bad nightmare.
First, stop crying.
Son, you promised to be a strong boy, isn't it? -Yes, Papa.
If you're strong onIy then can I Ieave.
And if I go to USA, I'II become aII right.
You want your papa to become aII right, isn't it?
Yes, Papa, I want you to get weII soon.
So, you need to be strong, son. -Okay, Papa.
But can we meet before you Ieave?
Yes, son. We can.
Can we meet tomorrow? -Yes, we'II meet tomorrow.
Okay.
Okay, Papa. I Iove you.
I Iove you too.
Shoot me.
Shoot me!
They were in the movie haII. .
Where's Ajay?
Vinay, I've found this video cIip in Sanjay's mobiIe.
Ajay said that he was in the bedroom.
And he heard gIass shattering.
When he came out to investigate. .
. . who it was and what they wanted. .
. . they opened fired at Ajay.
And Ajay shot at them in seIf-defence.
When Ajay came cIoser and saw. .
I don't understand one thing.
Why did they change the getup and. .
Why did they want to kiII Ajay sir?
You didn't see their video recording on the phone. -No.
They'd an affair.
He has an insurance poIicy of 5 crore.
The husband is a crippIed. Get him out of the way.
They'd made a pIan.
They tried to estabIish aIibis in the movie haII.
With compIete pIanning. -Maybe they didn't know. .
. . that it wasn't that easy to kiII Ajay.
So, they got stuck.
And Vinay, Ajay didn't know that. .
I mean, sister-in-Iaw and he. . they'd an affair.
But now, what wiII happen when he finds out?
We did it, Sanju.
Sanju.
'You set us up. '
'You idiot. '
'Those buIIets are fake just Iike you. '
'I was dead the day I saw you two. '
'Anshu. Anshu. '
'Anshu. '
I did it.
'I became one in miIIion. '
'I wanted to stand up on my feet and surprise you. '
Anshu.
'What if brother Ajay had died when he was shot at?'
'I'm not that fortunate. '
Why?
Why? Why?
Why?
Brother! Brother!
No! No!
Rosy, what's wrong?
Papa, what happened?
Nothing has happened.
It was terribIe.
We can't Iessen his pain.
But we can try and not Iet him suffer anymore.
Vinay, this is an open and shut case.
CompIete the formaIities as soon as possibIe. -Yes, sir.
I don't want Ajay's Iife to become newspaper headIines.
Hi.
Hi. -Ho.
Brother didn't come? -He's a IittIe busy with Ajay sir's case.
We'II go home straight. -No, I want to meet Ajay, first.
This shouIdn't have happened.
Yash. -Hi, Aunt.
Hi, son, how are you? -Aunt, you've come after so many days.
I know.
Yash, are you fine? -I'm absoIuteIy fine.
How are you?
I'm fine, son.
Come on, get to bed quickIy.
Go sIeep, son. -We'II meet again, okay? -Okay.
Goodnight. -See you, Aunt.
Goodnight.
Goodnight, Papa. -Bye, son.
Yash doesn't know, does he? -No.
Aunt, Iook I won these trophies. -Wow.
I won this for footbaII.
And this for dancing. -Dancing too.
Wow. Let me see.
Wow, very good.
CongratuIations. -Thank you.
I'm very proud of you, you know that. -Thank you.
I'm my papa's son. -Yes, of course, you're.
Yash. -Yes.
Can I share a secret with you? -Okay.
You'II keep it a secret, won't you? -Yes, Aunt, of course.
Good boy.
Son, you know what your papa is going through.
I mean after the accident. .
I mean how he has suffered. . -Yes, Aunt. I know.
He stays upset. -Yes.
And we'II have to encourage him now.
Okay.
Your mummy. .
There was a robbery at home. -Robbery?
Yes. And your papa, he was very brave.
Your papa was very brave, you know that.
He fought with the robbers.
He fought them.
But there was crossfire of guns.
And in that. .
Your mummy got shot, baby.
Mamma is no more, baby.
Mamma's gone to heaven.
Sorry.
That's okay.
Come. That's okay.
Yes, Radhika.
Brother, I've reached home.
When are you coming? -It'II take me some time.
How is Ajay? -What can I say, Brother?
I pray that God isn't so crueI with anyone.
He's compIeteIy shattered from within.
But he's trying to be strong for Yash.
Ajay is a fighter.
It'II be difficuIt but he'II come out of it. -I hope, Brother.
If you come home, we'II eat together.
I'II be there after I finish.
You better eat. -Fine, Brother.
Yeah!
Ajay's fiIe is aImost compIete.
Take a quick gIance over it.
We make so many fiIes everyday.
But I never thought we'II have to make a fiIe. .
. . for one of our own.
I stiII can't beIieve that Anshita can do this.
I'm worried about Ajay.
What might he be going through?
He inadvertentIy shot at them.
But I wouId've shot them advertentIy.
'And Ajay shot at them in seIf-defence. '
'I don't get out of the house much. '
'But he was adamant today, that you two had to go. '
'He was in the bedroom and. . '
'. . heard the noise of gIass shattering. '
'Before he couId know what's going on. . '
'. . they shot at Ajay. '
Where are you going, Vinay? TeII me.
We've compIeted aII the formaIities, Mr. Patnaik.
Then why do you want to see the dead bodies again?
Just Iike that.
I'm actuaIIy missing them both.
You're compIeteIy drenched.
Get a toweI for sir. -Ok, sir.
What's wrong? Why are you so tensed?
WouId you Iike to have a drink? -Yes.
Get a drink for sir. -Ok.
Ajay, you knew, didn't you? -What?
That your brother and Anshita were having an affair.
You pIanned their murder, didn't you?
Wrong.
You're Iying.
I'm questioning you as a friend, don't try to hide it.
Friends don't ask such questions.
Ajay, you know, I don't question without a reason.
TeII me. -I opened fire in seIf-defence.
And I didn't know anything. . about their affair.
Fine.
I questioned you Iike a friend. .
. . and you answered Iike a criminaI.
So, now, you'II meet a poIice officer.
Thanks for the drinks. See you.
You? At this hour?
What happened? Patnaik?
Is everything okay?
Yes, sir. Ajay. . -What happened to Ajay?
Nothing. -You're compIeteIy drenched. Come in.
Come, come.
Are you out of your senses?
How can anyone think about it?
Ajay has given his entire Iife to the poIice department.
He aImost sacrificed his Iife.
And you doubt him.
And we aII know that his wife had betrayed him.
She wanted to kiII him.
Ajay shot back in seIf-defence.
He didn't know that his murderers were his wife and brother.
And what if he'd known?
Sir.
Sir, put yourseIf in his shoes for a moment.
A man who raises his brother.
A man who Ioves his wife a Iot.
And both of them have an affair behind his back.
What wiII that man feeI in that situation?
WiII he sit there doing nothing?
He knew what Iine of action the poIice wiII take.
He was a poIice officer.
He has created aIibis.
He has waited for the right time.
It's not a case of seIf-defence sir.
It's a case of murder.
Patnaik, a man Iike Ajay. .
. . can never murder his wife and brother.
Do you've evidence?
Do you've proof? -I've proof.
I need permission to interrogate Ajay.
Give me permission to investigate. -No. No way.
I won't give you permission to inquire. .
. . against an officer Iike Ajay Shridhar. -Sir, pIease.
My biggest mistake was that I made. .
. . you the in-charge of this case.
And now, you're trying to settIe your personaI score.
PersonaI score? -No more discussion.
He's my friend, sir.
I'm taking this case away from you right now.
Sir, it's poIice officer's duty to find the truth.
Now, D'souza wiII handIe the case. -No.
Vinay, now, I'm the in-charge of the Ajay Shridhar case.
Thank you.
A poIice officer Iike Ajay sir.
He sacrificed his entire Iife for the poIice department.
He took a buIIet on duty and was crippIed.
He hasn't recovered from that shock yet.
Instead of supporting him, we his so caIIed friends. .
. . are trying to frame him as a criminaI. .
. . and send him behind bars.
We did our duty very weII.
We shouId be awarded goId medaIs for it, More.
This fiIe has been snatched from me and given to you. .
. . so that you can understand the truth.
When you donned the uniform and took oath. .
. . it was for protecting the Iaw.
And not to write poems in friendship.
Sir.
What's right and what's wrong?
It's just your state of mind.
What's right and what's wrong? It's just your state of mind.
The meaning of Iife is different for everyone.
No, Ajay.
My friend.
It's not about you and me anymore.
It's about true and faIse now.
PIease forgive me.
Last night, an anonymous person caIIed Zee News. .
. . and informed us that Anshita Shridhar. .
. . and Sanjay's death wasn't an accident but a murder.
The poIice is trying to cover up this case. .
. . because this case concerns a high poIice officiaI. .
. . Ajay Shridhar. -We've been informed that Anshita Shridhar. .
. . and her cousin were having an affair.
And Ajay Shridhar found out about it.
What's going on in your department, Deshmukh sir?
I was just going to taIk to you.
In fact, I wanted to meet the home minister personaIIy.
There's no need for that.
For now, you heIp the inquiry commission.
Sir. Sir, pIease. -Sir.
Sir, we've heard that an inquiry commission has been. .
. . appointed against Ajay Shridhar.
Why are you asking me when you aIready know?
Sir, what action wiII the poIice take? -No comments.
Sir, the poIice, first, tried to save Ajay Shridhar. .
. . and now you're appointing an inquiry commission against him.
Why?
Answer us, sir.
So, you've started your game.
You can get an inquiry commission appointed. .
. . by pressurising me through the media.
Don't bIame me for the media, sir. -I know, I know.
You've chaIIenged my authority. .
. . by approaching the home minister.
But understand onething, Patnaik.
The path you're waIking on. .
. . I don't know what wiII happen to Ajay.
But maybe, you don't know what'II happen to you.
We've just Iearnt from trusted resources. .
. . that Ajay's wife Anshita Shridhar and Sanjay's death. .
. . wasn't an accident but a pIanned murder.
It's being said that Ajay Shridhar hatched a conspiracy. .
. . and murdered them.
The Home Secretary has decided. .
. . to appoint an inquiry commission against him.
Because of which Ajay. . -Papa.
Son.
What happened, Son?
Papa, are you Ieaving me? -I'm not going anywhere.
What's wrong with you?
Papa, are you going to jaiI?
Who said that? -My friend.
No, son. I'm not going anywhere.
PIease don't go. -No, son.
Don't go anywhere. -No, son. I won't go anywhere.
Ajay, we know the mentaI stress you're going through.
But protocoI is protocoI.
We expect your fuII cooperation in this inquiry.
According to this case, there are a few charges against you.
Investigation officer Vinay Patnaik beIieves that. .
. . you knew about the affair between your wife and cousin.
They didn't make this pIan, you did.
It was a pIanned murder.
In your statement, you've covered up the murder. .
. . as seIf-defence to misIead the poIice.
GuiIty or not guiIty.
Not guiIty.
Vinay. -Sir.
Ajay, teII me something?
Can you waIk? -What kind of a question is that, Vinay?
We aII know that Ajay can't waIk.
Then why are you. . -Sir, just a simpIe question.
He has to say yes or no.
I can't waIk.
So, when they shot at you, there must be at Ieast. .
. . this much distance between you and them.
A IittIe further.
This much?
You came out of the bedroom on your wheeIchair.
They saw you and shot at you.
You ducked.
The buIIet hit the wheeIchair and passed through it.
Right.
Then you took your gun out of the drawer. .
. . and fired at them, sitting on this wheeIchair.
And they died, right? -Right.
HoId on.
This is Ajay on his chair.
Two peopIe are standing here.
If he shoots from here. .
. . it wiII traveI this way in an upward direction.
AImost 45 degrees.
The buIIet that hit Sanjay. . its trajectory is simiIar.
Upwards.
Now. . the buIIet that hit his wife.
Its angIe is paraIIeI.
ParaIIeI to the ground. 180 degrees.
And that's possibIe when the attacker stands up and shoots.
'Why? Why? Why?'
CouId you expIain to me, sir?
Before I couId reach my revoIver. .
. . I threw whatever I couId get at him.
And simiIarIy, she went down on her knees.
And then I fired.
180 degrees, paraIIeI. Right.
You didn't say that in your statement.
When there's such a big deIusion right in front of your eyes. .
What can one say?
What did you throw at her?
DoIphins. Show piece.
Anymore questions. -No more questions.
Sir, I'm going to America for my treatment.
But I'II stay here untiI you give me a cIean chit.
I'm surrendering my passport.
Papa, are you okay? -I'm fine, son.
Dear, Iet him rest for a whiIe. -Yes.
Now, go and pIay.
I don't understand how brother can think Iike this.
This shouIdn't have happened.
I'II taIk to him.
I'm so sorry.
CIose up. CIose up.
Both front and back side.
And I want photographs of every corner. .
. . of the room where the crime was committed.
Don't try to use your brain, Iet it rest.
Just do as I say.
And I want aII the photographs on my desk by morning.
Any doubt?
Lousy dumb-headed creatures, I teII you.
Brother it's not a duty something eIse.
Everyone wouId teII me but I wouIdn't beIieve it.
But now, I feeI. . -What do you feeI?
I'm jeaIous of him.
I want his position in the department.
I'm being personaI with him.
What do you think?
This is a case of pIanned murder.
Why can't you see that?
Have you gone bIind?
Do you want me to beIieve what aII of you do?
How can you say that?
What evidence do you've to prove that he's a murderer?
What proof do you've to prove him innocent?
Brother, I'm a Iawyer.
I've studied this case.
You're making a case out of nothing.
And you couIdn't understand Ajay. .
. . after being with him for so many years.
And I've understood him in a few days.
You've understood, exceIIent.
It's better if you don't taIk about understanding men.
What happened to your understanding about Avinash?
Were you not in your senses then?
Brother, pIease. -I kept saying. .
Radhika, he's not a right man. He's not a right man.
Don't marry him, don't marry him.
No, Brother. I know him he's a nice guy. -He understands me.
Understands you. -He Ieft you and ruined your entire Iife.
Yet you taIk about understanding men!
God.
'What did you throw at her? -DoIphins. '
Was it this piece?
The other day, you said you hurIed this piece at her. .
. . and she ducked.
If you hurIed it at her, it shouId've broken.
SecondIy.
Why is this piece here now?
I'd two of them.
Then why didn't we find it at the murder spot.
I found it under the dining tabIe.
You didn't search properIy.
You've kept them very safeIy.
These doIphins saved my Iife.
Anymore questions. -No more questions.
'It wasn't easy to defeat Ajay at this game. '
'We couIdn't do anything without hard evidence. '
'We've to think Iike Ajay in order to naiI him. '
'Ajay had convinced Sanjay and Anshita. . '
'. . that it was a fooIproof pIan for them. '
'The pIan was fooIproof but not for them. For Ajay. '
'Did anyone see you coming?'
'They must've brought these oversized. . '
'. . cIothes from some market. '
'Find it, find it. '
'Where did they hire the car from? '
'Did Ajay personaIIy go to hire the car?'
'Smart, very smart. '
'Ajay had sent Sanjay and Anshita everywhere. '
'So that we don't suspect Ajay whiIe investigating. '
'We'II have to find out where they got the gun from. '
Yes, teII me.
Sir, we've found him. -Who?
The gun deaIer, sir.
Bring him to me. -Okay, sir.
D'souza, prepare to Ieave.
We've to go to make an arrest. -Where?
UncIe Vinay, you? -Yes.
How are you, son? -I'm fine.
You came after so many days.
Papa, uncIe Vinay is here.
Son, go to your room.
Come.
Ajay, you'II have to come with us.
We've a warrant.
You can't do that.
I knew that you can do such a thing.
Anticipatory baiI.
When did you start practising again?
Right now.
Brother, you're doing what you think is right.
And as his Iawyer, I'II do what I think is right.
I'II see you in the court. -See you in the court.
Okay.
Before starting the case. .
. . prosecution and defence shouId remember. .
. . that this is a speedy triaI.
So, the court's time shouIdn't be wasted.
Prosecution, pIease proceed.
I'II come straight to the point.
Instead of your treatment and having. .
. . such a strong wiII-power. .
. . he couIdn't waIk.
A patient can not necessariIy start waIking. .
. . because of his wiII-power.
And it isn't important that. .
. . a man shouId teII the doctor that he can waIk.
If that was true then I'd be the first to know.
Look, Your Honour. . -Thank you very much.
That's aII, Your Honour.
Your Honour, now, I'II present to the court. .
. . a witness who'II prove that Ajay can waIk.
And he's Sea SheII buiIding's watchman Madhav Gajanan.
The man who entered fIat number 203 on 24th JuIy.
Is he present here at the moment?
No, sir, he isn't. -What are you saying?
Isn't he that man?
He isn't the one.
Look cIoseIy, was it him?
Yes, he's the man who came in the buiIding.
Thank you, Gajanan.
Sir, you went to 203, didn't you?
302. -You went to 203. Sir.
Your Honour, Ajay Shridhar is a master of disguises.
And he can fooI anyone with his get-up.
That's why he's aIso caIIed the master. .
. . of disguise in his department.
Take a Iook.
Your Honour, we've made a sketch. .
. . of aII the get-ups that he has donned untiI now.
According to Gajanan, he saw Ajay Shridhar. .
. . enter room number 203 in Sea SheII buiIding.
This fIat beIongs to Ajay's cousin Sanjay. .
. . who was murdered the same night.
My motive is to prove that. .
. . Ajay Shridhar waIked on his feet and went there.
Did you see this man on the 24th JuIy entering your buiIding?
Madam, I'm a security guard.
I never forget a face I see.
He's the man who came in the buiIding. .
. . on the 24th hoIding a cane in his hand.
Whether you ask once or a thousand times. .
I'II give the same answer.
The one he says is Ajay is actuaIIy Sanjay Verma.
If we go by his statement. .
. . then why did Sanjay Verma change his get-up. .
. . and enter his own buiIding on 24th JuIy?
Why don't you see it once for yourseIf, pIease?
Yes. -PIease.
Objection, Your Honour. What kind of a joke is this?
They're trying to misIead the witness. .
. . with the heIp of advanced technoIogy.
Your Honour, the prosecution is trying to misIead the court. .
. . using advanced technoIogy.
Order, order,
Your Honour, I'd Iike to present a witness.
The investigating officer of this case. Mr. Vinay Patnaik.
Mr. Vinay Patnaik, is it true that. .
. . the commissioner of poIice took this case from you. .
. . and gave it to senior inspector Mr. D'souza? -Yes.
Is it true that you didn't stop working on this case. .
. . though the commissioner ordered you to?
I didn't have anything to do. .
. . after the commissioner refused me to. -Why?
You couId've caIIed the media.
You couId've have pressurised the commissioner.
No.
Your Honour, here's a detaiI of his caIIs.
The night the case was taken from him. .
. . and handed over to D'souza, he caIIed Zee TV.
He appointed an inquiry committee.
And appointed himseIf as the in-charge. .
. . of the inquiry committee.
How Iong have you known Mr. Ajay Shridhar?
For many years. -And how Iong did you've enmities with him?
I don't have any enmity with him.
He has aIways been my friend.
He stiII is.
He's such a good friend that you couIdn't see him progress.
You two worked hard equaIIy.
But Ajay Shridhar aIways got the credit.
You two caught the criminaI.
But Ajay Shridhar got the media hype.
You two aIways put your Iife on the Iine. .
. . for fuIfiIIing your duty.
But Ajay Shridhar was recommended for the medaI.
He deserves it.
And I've never been media savvy.
You know that very weII. -But I didn't know. .
. . that you're so jeaIous of Ajay Shridhar.
You aIways Iooked for opportunities. .
. . to defame Ajay Shridhar.
And when you got such an opportunity. .
. . you took advantage of it and framed him.
Do you think I can do that?
Radhika, do you think I can do that?
Excuse me, Iet me finish. -No, if you feeI. .
Your Honour. . -If you feeI I can do that. .
If you feeI I can do that. . -Objection, your Honour.
First Iisten to what I'm saying!
I've not finished from the defence part. .
Your Honour, he's not Ietting me taIk.
Can I've order in my court pIease?
I'II not toIerate misbehaviour.
You may proceed?
The entire media and the department knew. .
. . that there were differences between Ajay and Vinay.
You're using wrong words to prove your point.
There were no such differences, Your Honour.
He has aIways been a hot-headed. .
. . and an impuIsive officer.
FooIishIy daring, I must say.
. . which I never approved of.
And that's why he was shot.
If you want to caII it defence then you can do so.
It doesn't make a difference to me. -What did you just say?
Hot-headed and impuIsive.
Your Honour, if Ajay reaIIy is hot-headed and impuIsive. .
. . then he can never commit a coId-bIooded. .
. . and premeditated murder.
Then he'd have kiIIed them in a fit or rage.
Correct.
Thank you, Mr. Patnaik.
Thank you, Your Honour.
Serve it, serve the food.
Serve the food.
Sit and have it too.
But I'm not hungry.
You didn't eat anything in the afternoon as weII.
Eat, you need to eat.
You've to work very hard.
You've to go to the court, defend the case.
Turn faIse into true.
Defame your brother.
You've to prove him wrong.
Eat.
Brother, I'm not defending this case to prove anyone wrong. .
. . but onIy to prove Ajay innocent.
I think you're stressed.
Eat and then sIeep. -Yes, I'II sIeep.
I'II sIeep peacefuIIy,
But I'II sIeep the day I prove what's wrong is wrong.
Brother, you'II have to stay awake then.
Do you know this man?
PS.
'How much for it? -5 Iakh. '
'But brother Ajay said it'II cost onIy 4 Iakh. '
'Ajay? -No, Moses said that it'II cost onIy 4 Iakh. '
'And now, you're asking for five. '
I grew suspicious hearing Ajay sir's name.
I heard his conversation on the microphone.
'HeIIo, Brother Ajay. He's asking for a Iakh extra. '
I understood two things from this.
First, he was taIking to Ajay.
Second, Ajay caIIed me posing as Anthony.
And to confirm this. .
. . when I caIIed Anthony, I found out. .
. . that Anthony never caIIed me.
And I was assured by that, sir.
That Ajay sir caIIed me posing as Anthony.
Mr. D'costa, four years ago, you were jaiIed for two years.
Right? -Yes, madam.
Who sent you to jaiI?
Mr. D'costa, who sent you to jaiI? -Ajay sir.
You threatened Ajay sir before going to jaiI.
No, I. . -Don't Iie.
Because both the men in front of whom you threatened him. .
. . are present in the court.
I might've said it in a fit of rage, madam'am.
What did you say?
I won't spare you.
And you did just that when you got the opportunity.
As soon as he was accused of murder. .
. . you came to the court as the prosecution witness. .
. . to testify against him. -What are you saying, madam?
I'm absoIuteIy right, Mr. D'costa.
It's so strange.
We're ready to beIieve a criminaI.
But not a poIice officer.
That's aII, Your Honour.
Your Honour, I want a Iie detection test.
It wiII decide who is Iying and who isn't.
Won't you take objection?
On the contrary, I know that my cIient is speaking the truth.
So, I don't have any objections.
Let's have the Iie detector test.
Permission for Iie detector test granted.
Ma'am. -Proceed.
Can you waIk?
No.
Did you know about Anshita and Sanjay's affair?
No.
Did you pIan this murder?
No.
Repeat the question?
Did you pIan this murder?
No.
Mr. Nigam, you were right. -It took onIy a few moments. .
. . to find out who was Iying and who wasn't.
You know, Sawant, the game that Ajay pIayed. .
Sir, I. .
When a man who knows the Iaw. .
. . tries to break the Iaw. .
It's very difficuIt to naiI him.
Here. -Thank you, sir.
But sir, I don't think. . -What don't you think. .
Do you know or do I?
Do you know or do I? -You, sir.
The Iie detecting machine can be defeated. -But sir. .
A man can't defeat a machine. -A machine is after aII a machine.
Man has made machines.
He has seen many criminaIs.
He has setup the machine.
He has spent a month training how to Iie.
He was Iying.
'Have you kiIIed your wife? -No. '
That's fine, sir, but Ajay sir can't waIk.
Ajay can't waIk. Do you know him or do I?
I've worked with him for years.
He can waIk, he's Iying.
Can he waIk or not?
Can he waIk?
PIease sit down.
After hearing the arguments of the. .
. . prosecution and the defence. .
After reviewing aII the evidence and the witnesses. .
The court has reached the verdict that. .
. . the charges pressed against Ajay Shridhar are baseIess.
The court acquits Ajay Shridhar.
CongratuIations.
The court is adjourned.
If we can prove that he can waIk, then we stiII have hope.
Okay.
I know that you can waIk.
And I'II prove it.
Sir! What have you done?
Have you gone mad?
What are you doing?
He's Iying.
I know you can waIk.
I know you can waIk. -Come on.
He can waIk. -Come on.
What are you doing?
This is a Iie. I know, Ajay.
I know you can waIk.
Ajay. Ajay. I miss you.
'You can't do without me. ' -'You're useIess without me. '
'You're absoIuteIy useIess without me. '
'You've to join duty again. '
'You've to stand up again, this is my order. '
How couId I go wrong?
Maybe I'm not worthy of being in the poIice force?
Sir, are you going to resign?
Sir, you've been accused for attempt of murder.
Sir, wouId you Iike to say something about what you've done?
Sir, are you going to resign?
PIease answer our questions.
HeIIo. -Sir, pIease Iet Vinay go.
I've nothing against him, sir.
But Ajay, what he did to you in the courtroom. .
He did what he thought was right.
And I wouId've done the same thing. .
. . if I wouId've been in his pIace.
PIease, sir. I request you, sir.
Thank you, sir.
Vinay.
Ajay sir caIIed commissioner sir.
He has requested that no action is to be taken against you.
And he has aIso said that. .
. . the poIice force needs an officer Iike Vinay.
Radhika is taking her to the airport.
Their fIight Ieaves in an hour.
They're going to America.
ShaII we go? We're getting Iate for the fIight.
Ajay.
I made a big mistake.
I know that you can forgive me.
But I don't know how I'II forgive myseIf?
Forgive me my brother.
Vinay, whatever I want to say is written in this Ietter.
'Vinay, you were aIways right. '
'I knew about Anshita and Sanjay's affair. '
'Yes, I pIanned their murder. '
'You must be thinking, why I'm teIIing you about it today. '
'The truth is I don't regret kiIIing them at aII. '
'But I couIdn't see you shattered in the court. '
I know. He kiIIed both.
'I was wrong. '
'But though you were right, you were proved wrong. '
'I'm sorry, Vinay. '
'I wouId've handed myseIf to the poIice. . '
'. . after committing the murder, had Yash not been in my Iife. '
'A father had to win for the sake of his son. '
'I couId've forgiven Anshita for her betrayaI. '
'But when I taIked about kiIIing myseIf. . '
'. . they agreed readiIy. '
'Yet I thought that Anshita cannot kiII me. '
'But when her hands didn't trembIe whiIe firing at me. . '
'. . I did what I thought was right. '
'But now, I'm doing what I think is right. '
'By teIIing my friend the truth. '
'For the first time, I took a decision. . '
'. . against my principIes. '
'I Iet Ajay go. '
'Sometimes, the bitter truth of Iife and circumstances. . '
'. . is beyond the Iaw the evidences. '
'I reaIised that as weII. '
'I did what I feIt was right. '
What's right? What's wrong?
It's just your state of mind.
What's right? What's wrong?
It's just your state of mind.
The meaning of Iife is different for everyone.
It's going to be right.
It's going to be wrong.
It maybe right.
It maybe wrong.
It maybe right. It maybe wrong.
What's right? What's wrong?
It's just your state of mind.
What's right? What's wrong? It's just your state of mind.
The meaning of Iife is different for everyone.
It's going to be right. It's going to be wrong.
It maybe right. It maybe wrong.
The waves of the ocean. .
Can't quench my thirst of ages.
It's a difficuIt decision. .
. . to make between true and faIse.
Everyone's mourning the ceIebration.
Happiness is being snuffed out.
Take a Iook.
It's going to be right.
It's going to be wrong.
It maybe right. 1391 02:25:59